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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/October-2012/Using-Small-Models-to-Prevent-Big-Problems.aspx]]></guid>
     <title><![CDATA[Using Small Models to Prevent Big Problems]]></title>
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            <p>As we begin to expand our exhibitions about <i>Enterprise</i>, we contacted NASA Langley to see if it would be possible to receive some relevant objects on loan. The extremely helpful and generous staff there recently lent us some wind tunnel models on our wish list.  Some of these wind tunnel models, as well as <i>Enterprise</i> herself, were used in the investigation after the <i>Columbia</i> Disaster</p>
            <img width="550" height="309" src="http://www.intrepidmuseum.org/Curator-images/Image-1.aspx?width=550&amp;height=309" alt="" /><br />
            <span style="font-size:xx-small; color:#666;">Wind Tunnel with Model. Courtesy of NASA.</span>
            <p>Wind tunnel models are scale test models used to anticipate how a full scale version of a vehicle will react in a particular aerodynamic environment.  The friction from the hypersonic wind simulates the heat experienced by a shuttle upon reentering the Earth&rsquo;s atmosphere. Contained in and around the wind tunnel are sensors and other equipment that help researchers monitor the results of the test.</p>
            <img width="550" height="282" src="http://www.intrepidmuseum.org/Curator-images/L2012-10-02-04-%282%29.aspx?width=550&amp;height=282" alt="" /><br />
            <span style="font-size:xx-small; color:#666;">L2012.10.02.04. Mach 6 Wind Tunnel Model. On Loan Courtesy of NASA Langley.</span>
            <p>In the wake of the 2003 <i>Columbia</i> Disaster, NASA scientists created over 70 wind tunnel models to test the effects of heat on shuttles.  One theory was that foam had struck the left wing causing fatal damage. By placing the model in a wind tunnel, NASA researchers could see how a damaged shuttle would react under reentry conditions and ultimately pin point the reason why <i>Columbia</i> broke up.</p>
            <img width="550" height="421" src="http://www.intrepidmuseum.org/Curator-images/Image-3.aspx?width=550&amp;height=421" alt="" /><br />
            <span style="font-size:xx-small; color:#666;">An example of the tests run on the Mach 6 Wind Tunnel Models. One can see the different heat patterns depending on the modification to the model. These wind tunnel tests focused on modifying a panel on the left leading edge.  Courtesy of NASA.</span>
            <p>The models are coated with a special chemical layer that fluoresces under UV light. The warmer the model is, the more fluorescence it produces. Engineers developed a program specifically for these experiments called the Shuttle Image Management System (SIMS).  The SIMS allowed researchers to know the temperature at different points and see the effects of the modified wind flow on the model. After running these small scale tests and ruling out the least likely scenarios, NASA staff conducted large scale tests on <i>Enterprise</i> herself.  In fact, NASA installed heat shield tiles on <i>Enterprise</i> for these tests. When you visit, you can see the scarring on the leading edge of the left wing and on the left main landing gear door from these tests.</p>
            <img width="550" height="412" src="http://www.intrepidmuseum.org/Curator-images/IMG_1100.aspx?width=550&amp;height=412" alt="" /><br />
            <p>The Shuttle Image Management System (SIMS) that NASA staff created also had a practical application for the real space shuttles. It permitted astronauts in space and engineers on the ground to view the temperature of the shuttle throughout the mission so that any damage in the thermal protection system could be reviewed and fixed while in space. The direct effect of this program was evident on Discovery&rsquo;s mission STS-114, the first flight after <i>Columbia</i>. Based on analysis from SIMS, Astronaut Stephen Robinson replaced two gap fillers in between thermal tiles which had become exposed during lift off. If the fillers were not replaced, a dangerous amount of heat could have presented problems for the shuttle upon reentry.  Not only was this the first external shuttle repair made during orbit, it was also the first EVA (extravehicular activity) underneath a shuttle.</p>
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                        <td width="21%" valign="middle" align="center"><a href="http://www.nasa.gov/returntoflight/multimedia/RTF_videos_search_agent_archive_1.html"><img width="106" height="81" src="http://www.intrepidmuseum.org/Curator-images/Gapfiller.aspx?width=106&amp;height=81" alt="" /></a></td>
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                        <p><a href="http://www.nasa.gov/returntoflight/multimedia/RTF_videos_search_agent_archive_1.html">Click Here to See Astronaut Stephen Robinson Remove the Gap Filler!</a></p>
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            <p>Be sure to look for the wind tunnel models and other artifacts on display as we supplement our <i>Enterprise</i> related exhibitions throughout the coming year!</p>
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            <td>&nbsp;</td>
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            <td>credits: Ann Stegina Collections Assistant</td>
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     <pubDate>Wed, 03 Oct 2012 11:06:05 GMT</pubDate>
     <link><![CDATA[http://intrepidmuseum.org/CuratorsCorner/October-2012/Using-Small-Models-to-Prevent-Big-Problems.aspx]]></link>     
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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/September-2012/Admiral-Richard-Truly-s-Collection.aspx]]></guid>
     <title><![CDATA[Admiral Richard Truly's Collection]]></title>
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            <p>It has been a very exciting few months here at the Intrepid Sea, Air &amp; Space Museum. We acquired a shuttle, voted for Growler, raised a pavilion and began celebrating our 30th anniversary as one of the finest museums in the best city in the world.</p>
            <p>All this while, Exhibits has been hard at work caring for our valued collections. The Shuttle Pavilion&rsquo;s opening afforded us an opportunity to speak with one of our heroes, Admiral Truly, about his personal collection, currently in Intrepid&rsquo;s Collection Storage.</p>
            <p>Admiral Truly is a retired Vice Admiral of the United States Navy, who began his career right here, aboard the USS Intrepid, flying F-8 Crusaders as a part of Fighter Squadron 33 (VF-33). After his prestigious naval career, Truly went on to work for NASA and in 1977, was chosen to be a part of the second crew of the Approach and Landing Tests (ALT&rsquo;s) done by NASA to assess the functionality, design and stability of the shuttles. On September 13, 1977, Commander Joe Engle and Pilot Richard Truly were sitting in the cockpit of the Enterprise, ready to test her gliding capabilities. This was only the second time a free-flight had been tried and descending from an altitude of 26,000 feet was surely a terrifying and exhilarating experience.</p>
            <img width="550" height="458" alt="" src="http://www.intrepidmuseum.org/Images/1-(1).aspx?width=550&amp;height=458" /><br />
            <p>Upon speaking to Admiral Truly, we discovered a helmet of his that we have in our collection is, in fact, the exact helmet he wore on those test flights of the Enterprise! This NASA-issued blue helmet seems like an unremarkable pilot&rsquo;s helmet, bringing home the courageousness of the NASA ALT Pilots. Along with his helmet, we have Admiral Truly&rsquo;s helmet liner and bag, together completing this unique set.</p>
            <img width="550" height="636" alt="" src="http://www.intrepidmuseum.org/Images/2-(1).aspx?width=550&amp;height=636" /><br />
            <p>After testing out the Enterprise, Truly had the opportunity to make history again by acting as pilot aboard the Shuttle Columbia (OV-102) during the STS-2 mission, launched on November 12, 1981, marking the first time in history that a reusable spacecraft returned to space a second time. This was Truly&rsquo;s first space flight and he would go on to fly one more mission, this time as Commander, of the STS-8 mission aboard the Shuttle Challenger (OV-099). In our collection is the very flight uniform Richard Truly wore aboard the Challenger during its flight in space, designed by NASA specifically for their mission.</p>
            <img width="550" height="470" alt="" src="http://www.intrepidmuseum.org/Images/3-(1).aspx?width=550&amp;height=470" /><br />
            <p>Truly left NASA after the STS-8 mission to become the Navy&rsquo;s first commander of the Naval Space Command yet returned in 1986 as NASA's Associate Administrator for Space Flight. His hard work, commitment and dedication endeared him those who flew all of NASA&rsquo;s subsequent missions aboard the Atlantis (OV-104) and the Discovery (OV-103) and every crew from each mission presented him with posters from their missions, including photographs, the mission&rsquo;s official patch, and a United States flag all flown in space.</p>
            <img width="550" height="434" alt="" src="http://www.intrepidmuseum.org/Images/4.aspx?width=550&amp;height=434" /></td>
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            <td>credits: Naomi Hochberg, Collections Assistant</td>
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     <pubDate>Mon, 10 Sep 2012 10:40:38 GMT</pubDate>
     <link><![CDATA[http://intrepidmuseum.org/CuratorsCorner/September-2012/Admiral-Richard-Truly-s-Collection.aspx]]></link>     
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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/Agust-2012/Intrepid-Museum-Turns-30.aspx]]></guid>
     <title><![CDATA[Intrepid Museum Turns 30]]></title>
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            <p><strong>Intrepid Museum Turns 30</strong><br />
            <br />
            Thirty years ago today &ndash; August 3, 1982 &ndash; the Intrepid Sea, Air &amp; Space Museum opened to the public for the first time.  <em>Intrepid</em> became only the second aircraft carrier museum in the United States.  Since then, the Intrepid Museum has established itself as a leader in the preservation of history, an anchor of New York City&rsquo;s West Side and the heart of major philanthropic organizations.  Here&rsquo;s a photo of Ed Koch, Mayor of New York City, on opening day.<br />
            <br />
            <img width="550" height="550" src="http://www.intrepidmuseum.org/Images/1.aspx?width=550&amp;height=550" alt="" /><br />
            <br />
            <br />
            The Museum recently opened two special exhibitions to celebrate this milestone.  The first, &ldquo;Thirty Years of Excellence: An Intrepid Museum Celebration,&rdquo; explores the history and significance of the Intrepid Museum.  One of my favorite items on display is a brochure produced by Odysseys in Flight, a predecessor to the Intrepid Museum Foundation and the organization that first envisioned bringing a retired aircraft carrier to New York.  It&rsquo;s fascinating to compare their original vision with the museum as it appears today.   They probably never would have guessed that the Museum would have a missile submarine, a supersonic passenger jet, and a space shuttle!<br />
            <br />
            <br />
            <img width="550" height="413" src="http://www.intrepidmuseum.org/Images/2.aspx?width=550&amp;height=413" alt="" /><br />
            <br />
            <br />
            The second exhibition, &ldquo;Thirty Years of Collecting: Treasures from Intrepid&rsquo;s Collections,&rdquo; gave our Collections Manager, Rachel Herman, an opportunity to select objects from the collection that have never before been on display.  As someone who works closely with the collections, I have trouble choosing a favorite among the many objects we have at the Museum.  One standout is a duffel bag from a sailor who served aboard <em>Intrepid</em> during World War II.  George Bertram DuBois, an Aviation Boatswain&rsquo;s Mate, painted his duffel bag as a tribute to his service.  DuBois&rsquo; painting of the ship in front of a rising sun shows his pride in his ship.<br />
            <br />
            <br />
            <img width="550" height="413" src="http://www.intrepidmuseum.org/Images/3.aspx?width=550&amp;height=413" alt="" /><br />
            <br />
            We hope that you will join us as we wish the Museum a very happy 30th anniversary.  We&rsquo;re looking forward to the next thirty years &ndash; and beyond!  Jessica Williams Curator of History<br />
            <br />
            For more information, <a href="http://www.intrepidmuseum.org/intrepidmuseum30thanniversary.aspx">click here</a>.<br />
            <br />
            <br />
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     </description>
     <pubDate>Fri, 03 Aug 2012 16:59:12 GMT</pubDate>
     <link><![CDATA[http://intrepidmuseum.org/CuratorsCorner/Agust-2012/Intrepid-Museum-Turns-30.aspx]]></link>     
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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/April-2012/Growler-Curators-Corner.aspx]]></guid>
     <title><![CDATA[Curator's Corner: Growler ]]></title>
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            <p>We are thrilled to announce that in the coming months we will be featuring the Cold War submarine, <em>Growler </em>(SSG-577), in several exciting ways.&nbsp; We invite you to join us as we celebrate this one of a kind historic vessel!&nbsp; One of our most popular exhibits, <em>Growler</em> is a strategic missile submarine designed to carry, launch and guide Regulus I nuclear missiles.&nbsp; Her mission was to patrol near Russian territory, thereby deterring them from launching an attack on the United States.&nbsp; <em>Growler </em>was in commission from 1958&ndash;1964, and her interior survives largely unaltered from that time.&nbsp; As a result, a walk through <em>Growler</em> offers a fascinating glimpse into the Cold War 1950s and 1960s.</p>
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            <td valign="middle" align="center"><img width="393" height="270" alt="" src="http://www.intrepidmuseum.org/Images/ussgrowler.aspx?width=393&amp;height=270" /></td>
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            <p><strong>Vote for <em>Growler</em>, April 26 - May 21</strong><br />
            <em>Growler</em> has been selected to compete for a grant from Partners in Preservation (PiP).&nbsp; There are forty New York historic sites competing to win three major grants between April 26 and May 21.&nbsp; The sites with the most &ldquo;popular votes&rdquo; will win a grant to help preserve that site.&nbsp; If awarded a PiP grant, the Intrepid Museum would restore <em>Growler&rsquo;s</em> sail, the part of the submarine that rises from the deck and houses her periscopes and communication equipment.&nbsp; We also would restore the Regulus I missile that is mounted on one of <em>Growler</em>&rsquo;s missile launchers.&nbsp;</p>
            <p align="center"><strong>Go to </strong><a href="http://partnersinpreservation.com/"><strong>PartnersinPreservation.com</strong></a><strong> and vote for Intrepid Museum <em>Growler</em> submarine today &ndash; and once every day &ndash; from April 26 through May 21!</strong></p>
            <p><strong>USS <em>Growler</em> Open House Weekend, May 5-6 </strong><br />
            Also don&rsquo;t miss out on our <em>Growler</em> celebration weekend, May 5 and 6th.&nbsp; In addition to the regular self-guided tour of <em>Growler</em>,there are also opportunities to meet and greet former <em>Growler</em> crew members, explore submarine artifacts with Intrepid&rsquo;s Education and Exhibits Teams, and get hands-on with family-friendly <em>Growler</em> inspired arts and crafts!</p>
            <p><strong>Thirty Years of Collecting: Treasures from Intrepid&rsquo;s Collections, July 27 - December 2</strong><br />
            <em>Growler</em>, along with the <em>Intrepid</em>, Concorde, and space shuttle <em>Enterprise</em>, will be featured in an exhibition, running from July 27 through December 2, celebrating some of the Exhibits staff&rsquo;s favorite objects that are not currently on view.&nbsp; One object that will be on view is this Thai presentation ship model (see below).&nbsp;</p>
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            <td valign="middle" align="center"><img width="322" height="241" alt="" src="http://www.intrepidmuseum.org/Images/thaiship.aspx?width=322&amp;height=241" /></td>
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            <p>In June 1960, the King of Thailand, His Majesty Bhumibol Adulyadej, was scheduled to make a state visit aboard the submarine USS <em>Sargo</em> for a day tour out to sea.&nbsp; The day before the cruise was to take place, <em>Sargo</em> suffered a fire in her stern compartment.&nbsp; <em>Growler</em> was called upon at the last minute to stand in for <em>Sargo</em> during the King&rsquo;s visit.&nbsp; During His Majesty&rsquo;s visit, he presented the <em>Growler</em> crew with this model of a traditional Thai ship.</p>
            <p>We hope that you will be able to join us in some (or all!) of our exciting <em>Growler</em> celebrations.</p>
            <p>Rachel Herman<br />
            Collections Manager</p>
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            <td valign="top" align="left">&nbsp;</td>
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     </description>
     <pubDate>Thu, 26 Apr 2012 11:59:04 GMT</pubDate>
     <link><![CDATA[http://intrepidmuseum.org/CuratorsCorner/April-2012/Growler-Curators-Corner.aspx]]></link>     
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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/September-2011-(1)/Dress-White-Uniform.aspx]]></guid>
     <title><![CDATA[Dress White Uniform]]></title>
     <description><![CDATA[ <span style="font-size: small;"><br />
Every month, former crew members, their families and other individuals donate historic artifacts to the Intrepid Museum. We&rsquo;re grateful for these donations, and we get especially excited when we receive an item that is the first of its type in our collection.&nbsp; Lewis Leroy Gross&rsquo;s dress white uniform is one such item.&nbsp; <br />
<br />
Sailors wear dress uniforms during ceremonies and other official functions.&nbsp; Just before the start of World War II, enlisted sailors had two types of dress uniforms: whites and blues.&nbsp; The jumper, or top, of both uniforms had a flap collar and bands around the cuffs.&nbsp; On the dress white uniform, the collar and cuffs were blue with white piping, as you can see here.</span><br />
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<img alt="" style="width: 550px; height: 363px;" src="/getfile/943e3bf0-d1c4-49a9-bd52-4cb55d60f13c/dress_white1.aspx" /><br />
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<span style="font-size: small;">In 1940, the Navy abolished the dress white uniform.&nbsp; Keeping this uniform in pristine condition was a challenge because the blue dye from the collar and the cuffs had a tendency to run and fade.&nbsp; The Navy determined that the undress white uniform, which lacked the blue details, could serve for both dress and undress purposes during the war.&nbsp; The Navy permitted sailors to continue to wear the dress white uniform until 1942.<br />
<br />
Lewis Gross joined the Navy in the late 1930s when he was 17 years old.&nbsp; During World War II, he served aboard Intrepid as part of the ship&rsquo;s gunnery department and was commended for his bravery under fire.&nbsp; His family recently donated this uniform and a number of other items to the Museum.<br />
<br />
Because the dress white uniform was abolished, most World War II-era Intrepid sailors did not own one.&nbsp; Only those sailors whose Navy careers began before 1940 would have had this uniform.&nbsp; In our collection, the dress white uniform is a unique item, and we&rsquo;re grateful to Lewis Gross&rsquo;s children for entrusting their father&rsquo;s Navy memorabilia to us.</span><br />
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<img alt="" style="width: 550px; height: 363px;" src="/getfile/cf74e193-2387-4547-8142-416aa6adad35/dress_white2.aspx" /><br />
<br />
Jessica Williams<br />
Curator of History<br />
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     <pubDate>Fri, 23 Sep 2011 09:11:21 GMT</pubDate>
     <link><![CDATA[http://intrepidmuseum.org/CuratorsCorner/September-2011-(1)/Dress-White-Uniform.aspx]]></link>     
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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/June-2011-(1)/Personalized-Patches.aspx]]></guid>
     <title><![CDATA[Personalized Patches]]></title>
     <description><![CDATA[ <span style="font-size: small;">Our collections hold a wealth of mementos from former <i>Intrepid </i>crew members.&nbsp; Holiday menus, certificates, and cruise books commemorated significant events, and our collections include examples of these items that span the ship&rsquo;s entire Navy career from 1943 through 1974<br />
<br />
Other souvenirs were specific to particular moments in <i>Intrepid&rsquo;s </i>history.&nbsp; Certain mementos were popular for a period of years, but then seem to fall out of favor.&nbsp; My favorite example of this is our collection of embroidered division patches.&nbsp; Featuring comical cartoon images, these colorful keepsakes celebrate individual divisions and highlight their contribution to the ship&rsquo;s operation.&nbsp; All of the examples in our collection date from about 1958 to 1962, and they offer a lighthearted take on life and work aboard Intrepid.&nbsp;&nbsp; <br />
<br />
Let&rsquo;s take a quick peek at a few of the patches in our collection that are not currently on display:<br />
<br />
<b>OI Division Patch</b><br />
The men of the OI Division worked in the Combat Information Center (CIC), <i>Intrepid&rsquo;s</i> information hub.&nbsp; Radarmen gathered, analyzed and disseminated data about friendly and enemy ships and aircraft near <i>Intrepid</i>.&nbsp; This OI Division patch (left) is a humorous riff on the ship&rsquo;s seal (right).&nbsp; Replacing the star at the center of<i> Intrepid&rsquo;s</i> seal is a sailor with a puppet in each hand &ndash; one is an airplane and the other is Intrepid.&nbsp; Confronted with a constant stream of information, <i>Intrepid&rsquo;s</i> radarmen often felt as if they had their hands full!&nbsp; The background suggests a radar scope, an essential piece of equipment. <br />
<br />
<img width="550" height="363" alt="" title="CIC patch is a gift of Gift of Joseph Burke, OI Div. 1954&ndash;56" src="/getfile/21047e4a-e7f5-4ce0-8a3b-7d7b4236004f/CICIntrepid_patch.aspx" /><br />
</span>
<div style="text-align: center;"><span style="font-size: small;"> </span>   <span style="font-size: x-small;"><span style="font-family: Arial;">CIC patch is a gift of Joseph Burke, OI Div. 1954&ndash;56</span></span> <span style="font-size: small;"> </span></div>
<span style="font-size: small;"> <b><br />
V-1 &ldquo;Roof Rats&rdquo; Patch</b><br />
The V-1 Division was responsible for the overall operation of the flight deck, and &ldquo;roof rats&rdquo; was a nickname for the men who worked there.&nbsp; This detailed scene features a few of the characters who worked on Intrepid&rsquo;s island and flight deck.&nbsp; The ship&rsquo;s Air Boss hovers menacingly from Primary Flight Control (PriFly), while a yellow-shirted plane director chases two blue-shirted plane handlers.<br />
<br />
<img width="550" height="363" alt="" title="Gift of Virgil Bowers" src="/getfile/4a6f9a77-e4a9-4a39-8ca2-add385bc4a58/roofrats_patch.aspx" /><br />
</span>
<div style="text-align: center;"><span style="font-size: small;"> </span>   <span style="font-size: x-small;"><span style="font-family: Arial;">Gift of Virgil Bowers</span></span> <span style="font-size: small;"> </span></div>
<span style="font-size: small;"> <b><br />
MarDet Patch</b><br />
Sailors weren&rsquo;t the only ones with an affinity for customized patches.&nbsp; <i>Intrepid&rsquo;s</i> Marine Detachment (MarDet) guarded the ship&rsquo;s special (nuclear) weapons, provided shipboard security, and served as anti-aircraft gunners, among other roles.&nbsp; The Marine Detachment Afloat insignia is the anchor and seahorse, commemorated here in the center of this patch.<br />
<br />
<img width="550" height="363" alt="" title="Gift of John Lang III on behalf of John Lang II" src="/getfile/2b70970b-b514-43c2-888b-cee2e15d8e3f/MarDet_patch.aspx" /><br />
</span>
<div style="text-align: center;"><span style="font-size: small;"> </span> <span style="font-size: x-small;"><span style="font-family: Arial;">Gift of John Lang III on behalf of John Lang II</span> </span></div>
<span style="font-size: x-small;"> </span> <span style="font-size: small;"> <br />
Want to see more?&nbsp; Visit the Intrepid Museum to see a number of other division patches on display.<br />
</span><br />
<br />
Jessica Williams<br />
Curator of History<br /> ]]>
     </description>
     <pubDate>Thu, 23 Jun 2011 11:35:10 GMT</pubDate>
     <link><![CDATA[http://intrepidmuseum.org/CuratorsCorner/June-2011-(1)/Personalized-Patches.aspx]]></link>     
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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/March-2011-(1)/Making-Curatorial-Choices.aspx]]></guid>
     <title><![CDATA[Making Curatorial Choices]]></title>
     <description><![CDATA[ <span style="font-size: small;">Curating an exhibition requires making choices.&nbsp; Once the curator has refined the exhibition themes and messages, she must determine which objects best illustrate these ideas.<br />
<br />
Our new special exhibition, &ldquo;Inspiration and Industry: American Women on the Home Front,&rdquo; draws from the Museum&rsquo;s collection of original wartime posters.&nbsp; As the curator of &ldquo;Inspiration and Industry,&rdquo; I spent hours examining our collection to determine which images best illuminate the roles of American women during World War I and World War II.&nbsp; We have about 35 posters relating to women in wartime, yet not every example was suitable for the exhibition.&nbsp; Some of the posters had weaker ties to the exhibition themes, others were redundant, and still others just wouldn&rsquo;t fit in our galleries.<br />
<br />
This installment of the Curator&rsquo;s Corner examines three posters that didn&rsquo;t make the cut and explains our decision-making process.&nbsp; <br />
<br />
</span>
<div style="text-align: center;"><span style="font-size: small;"><img width="550" height="461" alt="" src="/getfile/6a99c3d4-0157-4804-8694-a085a87090fd/CuratorialChoices1.aspx" /></span></div>
<span style="font-size: small;"><br />
Upon entering World War I, U.S. government began encouraging Americans to cut back on the consumption of certain foods.&nbsp; Ultimately, the government began rationing sugar, an imported commodity.&nbsp; In this poster, a woman sipping a sugary beverage diverts ships from their transatlantic journey to the battlefield.&nbsp; By using a woman in this illustration, the artist reminds Americans that every citizen has a responsibility to support the war effort.&nbsp; Even a seemingly innocent activity &ndash; enjoying a sweet drink &ndash; could have devastating consequences.&nbsp; <br />
<br />
Purely based on the illustration, this is one of my favorite World War I posters in our collection.&nbsp; The complex image reminds me of a political cartoon.&nbsp; Yet I wanted to highlight women playing an active role in the war effort, such as taking a factory job or serving with the military.&nbsp; Furthermore, the government&rsquo;s efforts to conserve resources became a far bigger issue in World War II.<br />
<br />
</span>
<div style="text-align: center;"><span style="font-size: small;"><img width="324" height="448" alt="" src="/getfile/6e290eb8-d4ad-4d5d-9a1e-3c31e626de5a/CuratorialChoices2.aspx" /></span></div>
<span style="font-size: small;"><br />
The Office of War Information identified six themes to guide its propaganda efforts.&nbsp; One of those themes was &ldquo;the need to sacrifice.&rdquo;&nbsp; A number of posters in &ldquo;Inspiration and Industry&rdquo; implore Americans at home to make certain sacrifices, such as conserving scarce resources.&nbsp; This example reminds Americans that men and women on the European front have endured suffering and loss far beyond what most Americans could comprehend.&nbsp; Here, the artist uses an image of a weeping older woman to create an emotional connection with viewers.&nbsp; The poster suggests that purchasing war bonds will help bring the war to its conclusion, minimizing the suffering of innocent civilians.<br />
<br />
This poster diverges from the exhibition&rsquo;s main theme: the experiences of American women at home.&nbsp;&nbsp; Comparing the sacrifices of women in the combatant nations would be a worthwhile project&hellip; but that&rsquo;s an entirely separate exhibition.&nbsp; <br />
<br />
</span>
<div style="text-align: center;"><span style="font-size: small;"><img width="299" height="514" alt="" src="/getfile/4672c8b4-dcf3-4432-8c17-72ccb153c784/CuratorialChoices3.aspx" /></span></div>
<span style="font-size: small;"><br />
The posters in &ldquo;Inspiration and Industry&rdquo; illustrate the U.S. government&rsquo;s campaign to rally women to the war effort.&nbsp; Yet the United States was not unique in its efforts to mobilize women.&nbsp; This poster warned Americans that the enemy, too, had enlisted its women as combatants on the home front.&nbsp; The poster makes a direct connection between the labor of Japanese women and the deaths of American servicemen on the battlefield.&nbsp; With Japanese women slaving &ldquo;14, 16, 18 hours a day,&rdquo; how could any American refuse to work her hardest in support of the war effort? <br />
<br />
Similar to the preceding example, this poster doesn&rsquo;t illustrate the mobilization of American women. The poster makes a strong statement &ndash; and raises questions about the ways in which the government depicted its enemies &ndash; but it doesn&rsquo;t quite fit in &ldquo;Inspiration and Industry.&rdquo; <br />
<br />
--<br />
Now that you&rsquo;ve had a glimpse at our curatorial decision-making process, stop by the Museum to view the 21 powerful posters that are on display in &ldquo;Inspiration and Industry.&rdquo;&nbsp; The exhibition will be on view until September 18, 2011.&nbsp;&nbsp; <br />
<br />
Jessica Williams<br />
Curator of History<br />
</span> ]]>
     </description>
     <pubDate>Thu, 31 Mar 2011 11:12:02 GMT</pubDate>
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     <title><![CDATA[Family Cruise]]></title>
     <description><![CDATA[ <span style="font-size: small;">The Intrepid Museum is in the midst of a bustling Kids Week.&nbsp; Normally, you might not think of an aircraft carrier as a kid-friendly place, since <i>Intrepid&rsquo;s</i> typical population was 3,000 rugged sailors.&nbsp; But on May 28, 1960, more than 800 very excited additional passengers scrambled aboard the ship in Norfolk, Virginia.&nbsp; Grumbled one chief, &ldquo;These ain&rsquo;t 800 persons.&nbsp; These here are 800 undisciplined persons.&rdquo;&nbsp; These undisciplined persons included the children, wives and other family members of the ship&rsquo;s crew.&nbsp;&nbsp; <br />
<br />
The occasion was a Family Cruise, a daylong excursion that gave crew members an opportunity to show off their ship to their nearest and dearest.&nbsp; While the ship steamed off the Virginia coast, <i>Intrepid</i> crew members introduced their families to life aboard an aircraft carrier.&nbsp; <br />
<br />
<img width="550" height="410" src="/getfile/a4dc14a1-2a8e-4b14-bf61-f2a7e5460ffc/familycruise1.aspx" alt="" /><br />
<br />
<i>Intrepid</i> crew members staged a memorable day for their guests.&nbsp; A demonstration of flight operations featured aircraft including Skyraiders, Skyrays and helicopters taking off from and landing on the flight deck.&nbsp; One aircraft fired a Sidewinder missile at a flare.&nbsp; Captain Edward Outlaw, who spent most of the day in his chair on the bridge, took care to explain shipboard operations over the public address system.<br />
<br />
At the end of the day, families left <i>Intrepid</i> with a new appreciation for their loved ones&rsquo; hard work. Commented one guest, &ldquo;I wanted to take just a minute to tell you what a thoroughly gratifying experience it was for me to be on board your ship last Saturday, and to witness firsthand a day in the life of your men.&nbsp; I really am at a loss for words to express my feelings other than to say that I don&rsquo;t think I have ever spent a more interesting day.&rdquo;<br />
<br />
<img width="550" height="410" src="/getfile/b77ca4ec-d905-41ce-a987-c32e3eb56255/familycruise2.aspx" alt="" /><br />
<br />
Kids Week continues in a long tradition of welcoming young people and their families aboard Intrepid!&nbsp; The Intrepid Museum&rsquo;s curatorial staff wishes to thank John Anderson, who recently donated these and other archival materials pertaining to <i>Intrepid&rsquo;s</i> 1960 Family Cruise.<br />
<br />
Jessica Williams<br />
Curator of History</span><br />
<br type="_moz" /> ]]>
     </description>
     <pubDate>Fri, 25 Feb 2011 09:19:23 GMT</pubDate>
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     <title><![CDATA[New Year’s Resolutions]]></title>
     <description><![CDATA[ <table width="550" cellspacing="0" cellpadding="0" border="0">
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            <td><span style="font-size: small;">Have you made a New Year&rsquo;s resolution?&nbsp; In the spirit of the holidays, the Curator&rsquo;s Corner offers some inspiration from none other than Intrepid&rsquo;s crew.<br />
            <br />
            For the December 22, 1954 issue of the ship&rsquo;s newspaper, the Roving Reporter surveyed a sampling of Intrepid crew members to find out what they resolved to do in 1955.&nbsp; Here are some of the responses:<br />
            <br />
            &ldquo;I recently made second class and I resolve to accept the added responsibilities humbly, accomplishing them to the best of my ability.&rdquo;<br />
            <br />
            &ldquo;I resolve to be a little more careful in the future and stay out of fights.&nbsp; The last time I got into a fight I injured my hand pretty badly.&nbsp; Your fine medics have done a good job, though...&rdquo;<br />
            <br />
            &ldquo;This month I&rsquo;m taking the NROTC test; if I pass I hope to come back into the Marines as a commissioned officer.&nbsp; So I resolve to study hard so that I may enter the NROTC program&hellip;&rdquo;<br />
            <br />
            &ldquo;Stop drinking and stop smoking.&nbsp; That is, stop drinking goat&rsquo;s milk and stop smoking cigars dipped in vinegar.&rdquo;<br />
            <br />
            &ldquo;Since I am 19 years old and growing into manhood, I resolve to settle down, save money, and begin looking for a wife.&rdquo;<br />
            <br />
            You can read these and other Intrepid resolutions here:<br />
            </span><br />
            <div style="text-align: center;"><a target="_blank" href="http://www.intrepidmuseum.org/Images/Curators-Corner/resolutions_large.aspx"><img width="384" height="466" src="/getfile/48210b0a-8ca1-474f-b288-d75217e8547f/resolutions_sm.aspx" alt="" /></a></div>
            <p style="text-align: center;"><span style="font-size: x-small;"><span style="color: rgb(128, 0, 0);">Click image above to enlarge</span></span></p>
            <br />
            <span style="font-size: small;">On behalf of the Curator&rsquo;s Corner, best wishes for a healthy and happy New Year.&nbsp; We&rsquo;ll see you in 2011!<br />
            <br />
            Jessica Williams<br />
            Curator of History</span><br />
            &nbsp;</td>
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     </description>
     <pubDate>Thu, 30 Dec 2010 11:23:14 GMT</pubDate>
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     <title><![CDATA[Join the Navy and See the World! ]]></title>
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            <td><span style="font-size: small;">As temperatures drop in New York, my mind inevitably wanders to any number of balmy places I&rsquo;d love to visit.&nbsp; <i>Intrepid&rsquo;s</i> history offers no shortage of travel inspiration. During the Cold War, the ship made multiple trips to the Mediterranean, giving crew members an exceptional opportunity to bask in the history, nightlife, and warmth of foreign ports.&nbsp;&nbsp;&nbsp;&nbsp; <br />
            <br />
            A year after her recommissioning in 1954, <i>Intrepid</i> departed for her first deployment to the Mediterranean.&nbsp; Throughout the Cold War, &ldquo;Med cruises&rdquo; maintained a powerful and visible U.S. Navy presence in this strategically important region.&nbsp; <i>Intrepid</i> monitored Soviet activities, searching for Russian airplanes and submarines.&nbsp; Her aviators performed reconnaissance missions over Europe.&nbsp; As she steamed the length of the Mediterranean, <i>Intrepid</i> demonstrated the might of the U.S. Navy to our adversaries as well as our allies.&nbsp; <br />
            <br />
            But for many <i>Intrepid</i> sailors, hunting for Soviet subs was not the reason they enlisted.&nbsp; The early twentieth-century slogan &ldquo;Join the Navy and See the World&rdquo; still resonated with young men across the United States. <i>Intrepid&rsquo;s</i> Cold War cruises offered incredible travel opportunities for her crew, many of whom had rarely strayed far from their hometowns.&nbsp; On her first Med cruise alone, <i>Intrepid</i> visited no fewer than 12 ports including Gibraltar, Valencia, Cannes, Naples, and Istanbul.</span><br />
            <br />
            <img width="550" height="363" src="/getfile/5945fa38-acf7-454b-95ee-5ddf4132d662/MedPortVisit.aspx" alt="" /><br />
            <br />
            <span style="font-size: small;">To help sailors navigate exotic ports, the ship&rsquo;s print shop produced travel guides for each city <i>Intrepid</i> visited. These &ldquo;port-of-call&rdquo; booklets highlighted sights to see, foods to eat, and souvenirs to buy.&nbsp; The pamphlets also issued warnings, such as this tip about the bars and cabarets near Barcelona&rsquo;s waterfront: &ldquo;They&rsquo;re breeding places of venereal disease and dope addiction, and generally dirty.&rdquo;&nbsp; A booklet on Cannes, France cautioned sailors to be sensitive to local pride: &ldquo;Don&rsquo;t say anything about Germany&rsquo;s having once defeated France &ndash; no one wants to be reminded of his country&rsquo;s being beaten, even though the defeat was a temporary one.&rdquo;&nbsp; Armed with these helpful hints, <i>Intrepid</i> sailors fanned out across foreign cities, ready to explore local culture &ndash; or just find the best watering holes.</span><br />
            <br />
            <img width="550" height="363" src="/getfile/26d9b8e0-359b-47da-b5ae-9152b2ccc365/brochures.aspx" alt="" /><br />
            <br />
            <span style="font-size: small;">Want to learn more about <i>Intrepid&rsquo;s</i> globe-trotting missions? Our new interactive globe exhibit is being tested as we speak. Located in the Exploreum, the globe will illuminate five cruises that span <i>Intrepid&rsquo;s</i> career.&nbsp; Also, you can find port-of-call memorabilia in our main exhibition. For former crew members, we&rsquo;re interested in collecting your souvenirs and stories about shore leave. Contact me at </span><a href="mailto:jwilliams@intrepidmuseum.org"><span style="font-size: small;">jwilliams@intrepidmuseum.org</span></a><span style="font-size: small;"> and share your tales!</span><br />
            <br />
            Jessica Williams<br />
            Curator of History</td>
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<br /> ]]>
     </description>
     <pubDate>Tue, 30 Nov 2010 11:58:54 GMT</pubDate>
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     <title><![CDATA[The Evolution of Flight Suits ]]></title>
     <description><![CDATA[ <b><span style="font-size: small;">This month, the Curator&rsquo;s Corner would like to introduce a post written by Naomi Hochberg, our Collections Intern.&nbsp; For the past few months, she has been assisting with the management of the uniform collection. </span></b><span style="font-size: small;"><br />
<br />
<br />
Hi! My name is Naomi Hochberg and over the past couple of months, I have been interning with Britta Arendt, the Collections Manager.&nbsp; One of my tasks is to help with the inventorying, cleaning, and housing of the Intrepid&rsquo;s abundant uniform collection, a task that has proven to be both stimulating and rewarding. Though bomber jackets and blue woolen jumpers are incredibly cool, the type of uniform that most interested me was the flight suit. Aside from their &ldquo;chic&rdquo; appearance (anyone who has passed a department store over the past couple of weeks will no doubt have noticed that &ldquo;military&rdquo; is &ldquo;in&rdquo;), the technology that goes into creating a flight suit extends beyond its numerous-zipper design, as it might have to save its wearer&rsquo;s life.<br />
<br />
<b>Origins</b><br />
Prior to and including part of World War II, leather two-piece outfits consisting of fleece-lined flight jackets and pants were the preferred gear of pilots as they were made of sturdy material, protecting the pilot against any flying debris, such as bugs or oil.&nbsp; More importantly, many of the planes in World War II, such as the B-17, did not have pressurized cabins.&nbsp; Bombing raids often occurred at altitudes of over 25,000 ft where the outside temperature could be minus 58 degrees Fahrenheit, a temperature so cold that skin would freeze to metal, so pilots needed to be well insulated. By 1941, the need for the leather suits greatly diminished when Lion Apparel, in conjunction with General Electric, introduced the electrically heated flying suit.&nbsp; Eventually, the invention of the partially pressurized cabin, which was well insulated, made it unnecessary for the pilot and navigator to wear the heated suits, the officers could wear their standard uniforms comfortably under the popular and now iconic A-2 jacket. Thus it became necessary for only the gunner, who was still exposed to the outside, to continue wearing the suit. Ultimately, a fully pressurized cabin was constructed in planes such as the B-29, making the need for any heated suit obsolete.<br />
<br />
</span>
<div style="text-align: center;"><span style="font-size: small;"><img width="385" height="554" alt="" src="/getfile/23927060-ecd3-41e2-86d1-cc7ce6a52c8e/flight_suit.aspx" /></span><br />
&nbsp; <span style="font-size: small;">Official Navy Photograph </span></div>
<span style="font-size: small;"><br />
<br />
<b>What Lies Beneath</b><br />
While advancements were being made in the technology behind the flight suit, the Liaison Committee for the Emergency Rescue Equipment, attached to both the Navy and Coast Guard, began experimenting on what the crew wore under their flight suits.&nbsp; By 1943, trials began on developing an exposure suit which would protect a pilot or crewmember from hypothermia should they ever need to eject over water.&nbsp; Previous suits of this kind were made of nylon, which is flammable and not completely watertight.&nbsp; Moreover, as they were not buoyant, a life vest was needed, which weighed the man down.&nbsp; Eventually, a suit with attached boots made entirely of rubber was developed. Titled the &ldquo;poopie suit&rdquo; by its wearers, the suit was extremely tight fitting, constricting the neck and wrists to prevent water seepage, smelled terrible, and took forever to climb into, all of which contributed to its name. Nuisances aside, the suit proved a success, allowing the wearer to survive in cold temperature waters without hypothermia setting in for up to 15 extra hours, expanding the window of retrieval.<br />
<br />
</span>
<div style="text-align: center;"><span style="font-size: small;"><img width="350" height="557" alt="" src="/getfile/cab57754-630a-4208-b8ac-741745005f9e/poopie_suit.aspx" /></span></div>
<span style="font-size: small;"><br />
<br />
<b>High Anxiety</b><br />
Aircraft technology evolved significantly during World War II, soon giving birth to the Jet Age.&nbsp; To enable pilots to cope with the new speed and heights, new suits had to be designed. Planes&rsquo; new dexterity allowed more complex, faster maneuvers, exposing the pilot to increased g-forces. In extreme cases, blood will be drained away from the brain and pool in the legs. Such a loss of blood will lead to hypoxia, or loss of consciousness due a lack of oxygen.&nbsp; This case was termed &ldquo;G-LOC,&rdquo; an abbreviation for G-force induced Loss Of Consciousness. Pilots, though, called it &ldquo;fainting in the air.&rdquo; To prevent such an occurrence, a suit, named The Franks Flying Suit Mark II, was designed in 1940 by Wilbur Franks. Named the &ldquo;G-Suit,&rdquo; this suit used strategically placed water-filled sacks along the lower half of the body to prevent the blood from excessively flowing away from the brain while accelerating.&nbsp; Similar to the G-suit, pressure suits were invented, which utilized water filled-sacks along the abdomen and legs to make breathing easier at low oxygen altitudes.<br />
<br />
<b>Conclusion</b><br />
World War II was a catalyst in the advancement of aero-technology around the world. The uniforms developed then became the models for those created in the years to follow. Post World War II, with the dawn of the Space Age, astronauts flying into space were able to do so thanks to the pressurized cabins and suits invented only a decade or two earlier. Even today, with our planes that go so fast they can easily break the sound barrier, as well as flying competitions such as the Red Bull Air Race, pilots wear suits still modeled on Wilbur Franks&rsquo; design.&nbsp; Look around you and you will see leather jackets that could have once been worn over half a century ago.&nbsp; No matter how they have changed, flight suits have been embedded into our culture and into us.&nbsp; They are a symbol of our history and our progress. They are undeniably cool. <br />
</span> ]]>
     </description>
     <pubDate>Thu, 28 Oct 2010 16:19:44 GMT</pubDate>
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     <title><![CDATA[Aviators Flight Log Books]]></title>
     <description><![CDATA[ <span style="font-size: small;">Our curatorial and collections team is always eager to acquire new artifacts and archival material, but we are fascinated when the item&rsquo;s primary purpose is to reveal detailed information about its original owner. Like personal diaries, aviator flight log books can teach us about an aviator&rsquo;s entire flight career and the various planes he flew. We are fortunate to have a few examples of these books in our archives collection, many of which have proven to be excellent research tools. <br />
<br />
Before the outbreak of World War II, US Navy aircrew members were issued flight log books and were required to record the details of each flight. Data they needed to log included the following: date of flight, type of plane, plane&rsquo;s bureau number, duration of flight, purpose of flight, name of pilot, name of any passengers, and any noteworthy remarks concerning the flight. At the end of each month, a superior officer would total the number of flight hours and the log book would receive a stamp of approval. Ultimately, the log book became an extension of the aviator&rsquo;s flight resume.</span><br />
<br />
<img width="550" height="363" alt="" src="/getfile/e5eebecd-ffca-4a09-8ad8-21a53ef8fac8/flight_log_books.aspx" /><br />
<div style="text-align: center;">Bill Ziemer&rsquo;s and Edward Ritter&rsquo;s flight log books</div>
<p>&nbsp;</p>
<p><span style="font-size: small;">Most of the log books in the Museum&rsquo;s collections were recorded during the Second World War, three of them by members of fighter squadron VF-18. One of our more recent artifact donations consisted of William &ldquo;Bill&rdquo; Ziemer&rsquo;s flight log book. His detailed log begins in 1942 with his flight training at the Naval Reserve Air Base in Norman, OK, where he primarily flew biplanes. Before VF-18 was attached to Intrepid, Bill and his fellow aviators completed more combat training exercises on F4F Wildcats and F6F Hellcats at Pearl Harbor. During Bill&rsquo;s time off, he logged several hours of recreational flight as well. On one occasion he listed one of his younger brothers, &ldquo;Ziemer, Jr.&rdquo; as a passenger on an SBD-5. The brothers had enlisted in the Navy and both happened to be stationed at Pearl Harbor, so they attempted to visit one another when time allowed. Another interesting passenger of Bill&rsquo;s during this period was &ldquo;Cindy,&rdquo; a local dog that members of the squadron had befriended. <br />
<br />
Ziemer&rsquo;s log book intensifies when VF-18 boarded <i>Intrepid</i> and made her way into the combat zone. Bill&rsquo;s daily one- or two-hour flights stretched to three or four hours as he participated in &ldquo;strikes&rdquo; and &ldquo;sweeps&rdquo; over various islands of the Pacific throughout September and October 1944. On September 13, Ziemer noted in his log that he shot down a Japanese fighter plane known as an &ldquo;Oscar.&rdquo; Sadly, Ziemer&rsquo;s final entry in the log book was dated October 10, 1944. On October 12, VF-18 participated in a strike at the Japanese airfields on Formosa (now Taiwan). His plane was shot down, forcing him to bail out over the airfield. According to one of Ziemer&rsquo;s brothers, he was immediately captured and later died in a POW camp in August 1945.</span></p>
<p style="text-align: center;"><img width="489" height="692" alt="" src="/getfile/f05810ec-0748-4feb-ab8a-97bc184687e6/Ziemer.aspx" /></p>
<p style="text-align: center;">Bill Ziemer (on left) and a fellow member of VF-18 at Pearl Harbor, c. 1944</p>
<p>&nbsp;</p>
<p><span style="font-size: small;">Ziemer&rsquo;s wingman, Egidio DiBatista, recorded in his log book on the same date in October that he shot down a Japanese bomber known as a &ldquo;Lily.&rdquo; He also included in his notes that he bailed out of his Hellcat after it had been shot down. Fortunately, unlike Bill, he was able to make it back to <i>Intrepid</i>. DiBatista&rsquo;s flight log book is currently on display at the Museum, the page opened to his October 12, 1944 activities. <br />
<br />
The final VF-18 log book in our collection was completed by Edward Ritter. One of the most interesting entries in his book is the note he wrote on the opening page: &ldquo;Original log of flight hours flown from August 1942 to December 1944 was destroyed by explosion and fire due to enemy action &ndash; on the U.S.S. Intrepid &ndash; at 13:15 25 November 1944.&rdquo; While Ritter was flying a Hellcat, he apparently left his flight log book in the Ready Room, which was destroyed during this kamikaze attack. Underneath Ritter&rsquo;s note is a signature of approval from Cecil Harris, who was at that time already one of the Navy&rsquo;s top aces of World War II. <br />
<br />
The stories we can learn from the pages of aviator flight log books are numerous, and we encourage you to check out the one we have on exhibit. As our artifact collections continue to grow, we hope to acquire more log books that span the history of <i>Intrepid&rsquo;s</i> service, allowing us to learn more about the evolution of flight over the decades. </span><br />
<br />
Britta K. Arendt,<br />
Collections Manager <br />
&nbsp;</p> ]]>
     </description>
     <pubDate>Fri, 24 Sep 2010 09:48:57 GMT</pubDate>
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     <title><![CDATA[World War II Posters]]></title>
     <description><![CDATA[ <span style="font-size: small;"><b>This month, the Curator&rsquo;s Corner would like to introduce a post written by Daniel Ng, our Curatorial Intern this summer.&nbsp; Daniel has been researching the museum&rsquo;s collection of World War I and World War II posters.&nbsp; Here, he shares some of his favorites.</b><br />
<br />
Hello! My name is Daniel Ng and this summer I have been working for Jessica Williams, the Curator of History on board the Intrepid, as her curatorial intern. I was assigned a summer-long project of researching the recently found collection of World War I &amp; II posters. My goal was to categorize and provide background on each poster, including the way of life the poster was reflecting upon and the message the poster was trying to send. Of these I have found three to be particularly interesting. They describe the United States&rsquo; mindset and attitude towards being on the home front during a war. <br />
<br />
<b>Victory Through Air Power</b><br />
<br />
Walt Disney&rsquo;s movie &ldquo;Victory Through Air Power&rdquo; was released in 1943, placing it squarely in the height of America&rsquo;s war effort and involvement in the massive use of propaganda at home.&nbsp; The movie is adapted from a book by Major Alexander P. de Seversky which argues how air superiority and research in the field can help to win a military conflict, namely World War II.&nbsp; Walt Disney used this film to try to bring the attention of the people to how the development and research of better long-range bombers could bring an end to the war in a quicker fashion.&nbsp; This film is rather strange as it is part animated and part live action when it cuts to Seversky, who is explaining the importance of air power. <br />
<br />
<a target="_blank" href="http://www.intrepidmuseum.org/Images/Curators-Corner/Disney_lg.aspx"><img width="550" height="363" alt="" src="/getfile/505f4fd8-d14e-4ea3-a151-7d8440b1daeb/Disney_sm.aspx" /><br />
<br />
</a></span>
<div style="text-align: center;"><b><span style="font-size: small;"><span style="font-size: x-small;">Click on image to enlarge</span></span></b></div>
<span style="font-size: small;"> <br />
Notice how the Luftwaffe pilot is created as an animated cartoon character, portraying the Luftwaffe to be inept and seem harmless.&nbsp; With its lighter tone this film on the surface may not seem to have any motive except to entertain, but the topics the film touches upon try to inform and persuade the public about how air power could lead to victory.<br />
<br />
<br />
<b>Use It Up &ndash; Wear It Out &ndash; Make It Do!</b><br />
<br />
A classic image or theme in World War II posters was that the American people should conserve and re-use goods in order to allow for as many supplies as possible to head to the armed forces in the Pacific and European theaters of war.&nbsp; Often these posters depicted themes of patriotic housewives &ldquo;doing their part&rdquo; by rationing goods, re-using materials if possible, and fully cooperating with the set prices laid out by the government.<br />
<br />
<img width="550" height="698" src="/getfile/59eff951-c417-4f2f-925f-ca378929ed46/Woman_lg.aspx" alt="" /><br />
<br />
This particular poster focuses on an American household that is doing everything in their power to try to support the troops overseas.&nbsp; A woman is seen sewing a patch on a man&rsquo;s jeans while he is cleaning his lawn mower.&nbsp; In the image we see a basket full of yarn and other materials used for sewing to emphasize the re-use of goods such as jeans.&nbsp; In particular, the woman is working on the patch, while the man is cleaning or fixing the lawn mower, which serves as an image of always being efficient with time, a valuable necessity for the war effort.<br />
<br />
<br />
<br />
<b>China Carries On</b><br />
<br />
When I first came across a poster urging the American people to contribute the United Relief Fund for China, it struck me as fascinating right away.&nbsp; For most Americans, the focus of the war was solely on the American forces and how the country could provide the best and most effective assistance to the American military.&nbsp; Their distrust of people of Asian descent, namely the Japanese, makes the call for aid for China an interesting message to send to the American people.<br />
<br />
</span>
<div style="text-align: center;"><span style="font-size: small;"><a target="_blank" href="http://www.intrepidmuseum.org/Images/Curators-Corner/China_lg.aspx"><img width="245" height="358" alt="" src="/getfile/a2dfa96f-0beb-423a-bffa-f318ec8933db/China_sm.aspx" /></a></span></div>
<p style="text-align: center;"><b><span style="font-size: small;"><span style="font-size: x-small;">Click on image to enlarge</span></span></b></p>
<span style="font-size: small;"> <br />
In the poster we can see how the soldier is stern, strong, and brave as he is marching on to fight, as seen by the way he is gripping his rifle and the large step he is taking over the &ldquo;on&rdquo; in the poster.&nbsp; A young boy stands in the background along with a pagoda representing what the soldier is fighting to protect. The call for the support of the United China Relief makes it known to the viewer that the Chinese are fighting for similar reasons as the U.S. and allows for common ground to exist between the two.<br />
<br />
<br />
My time on board the Intrepid has been an invaluable experience and one I will not forget, and I would like to thank everyone on board that made the experience so great for me.&nbsp; The ability to interact with material that pertained so closely to areas of history I enjoy the most made the experience even more gratifying. I assisted with not only research of the posters but for other exhibits as well, such as the space capsule in the Exploreum that is on the floor now, and research on various objects in the collection, specifically souvenirs that former crewmembers had donated to the museum. To those who have not visited the Intrepid Sea, Air, &amp; Space Museum yet, I urge you to come aboard! <br />
<br />
Daniel Ng<br />
Curatorial Intern<br />
</span> ]]>
     </description>
     <pubDate>Wed, 25 Aug 2010 10:54:23 GMT</pubDate>
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     <title><![CDATA[Revealing Mess Deck Life]]></title>
     <description><![CDATA[ <span style="font-size: small;">Restoring historic spaces aboard Intrepid is an enormous responsibility.&nbsp; Our curatorial and exhibits team strives to accurately recreate Intrepid&rsquo;s appearance during her Navy career. <br />
<br />
This commitment to historical accuracy requires extensive research using a variety of sources.&nbsp; Intrepid herself offers a wealth of information about her past.&nbsp; Like archaeologists, we carefully peel back layers of Intrepid&rsquo;s history as we uncover historic paint colors, former bulkhead locations, and other physical clues.&nbsp; Photographs provide another type of visual evidence, revealing details about the equipment, signage, or personal items that would have occupied a space.&nbsp; Last but certainly not least, conversations with former crew members help us bring compartments to life through personal stories and recollections.<br />
<br />
Once we complete a restoration, visitors can enjoy the results of our efforts.&nbsp; However, they don&rsquo;t always get a chance to see the research that informed the final product.&nbsp; Thanks to a grant from the New York State Council on the Arts, we recently unveiled a new interactive exhibit on the Mess Deck that offers a peek at the research materials that we use to tell Intrepid&rsquo;s story.&nbsp; Three touch screens present items from the archives of Robert M. Craig, the Food Service Officer who oversaw the renovation of the mess deck in 1969.&nbsp; Photographs, menus, comment cards, memos and other items reveal what it was like to work and eat on the mess deck.&nbsp; <br />
<br />
The new exhibit illuminates a specific period in the life of Intrepid&rsquo;s mess deck &ndash; the period that we&rsquo;ve recreated in our exhibit spaces.&nbsp; After completing her third tour of duty in Vietnam, Intrepid entered dry dock in 1969 for an overhaul that included a major renovation of the mess deck.&nbsp; Money came from a Navy fund dedicated to improving shipboard living and leisure facilities.&nbsp; As reenlistment rates plunged during Vietnam, the Navy funded projects like this to make Navy life seem less rigid and impersonal.<br />
<br />
With custom paint colors and quirky decorations, the newly remodeled mess deck offered lively spaces for enlisted crew members to eat, relax and socialize.&nbsp; Crew members appreciated the personal touch, and Navy officials were impressed as well.&nbsp; The Intrepid took third prize overall in the Navy&rsquo;s prestigious Capt. Edward F. Ney Award for outstanding food service.<br />
<br />
Each of touch screens focuses on a particular theme &ndash;Training &amp; Sanitation, Cooking &amp; Eating, and Remodeling the Mess Deck &ndash; and showcases original documents and photographs.&nbsp; Here are two of my favorites:<br />
<br />
<b>Welcome to Messcooking</b><br />
The mess deck gave new sailors their first taste of shipboard work and discipline.&nbsp; New, nonrated enlisted sailors often were assigned to work as &ldquo;mess cooks&rdquo; for three to five months after arriving aboard the ship.&nbsp; Their tasks ranged from filling salt shakers to scrubbing passageways.&nbsp; The booklet &ldquo;Welcome to Messcooking&rdquo; introduced sailors to their responsibilities as mess cooks and as Intrepid crewmembers. On the kiosk, flip through the booklet to learn how sailors were expected to make their bunks and label their lockers:<br />
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<a href="http://www.intrepidmuseum.org/Images/Curators-Corner/Image1Booklet_lg.aspx" target="_blank"><img width="550" height="363" border="1" src="/getfile/d1de3c0b-6919-4121-9d6f-eee5d1bfd0a0/image1booklet.aspx" alt="" /><br />
</a></span>
<div style="text-align: center;">&nbsp;</div>
<div style="text-align: center;"><span style="color: rgb(128, 0, 0);"><b><span style="font-size: small;">Click image to enlarge</span></b></span></div>
<span style="font-size: small;"><br />
<br />
<b>Comment Cards</b><br />
Intrepid&rsquo;s Food Service team was committed to improving service.&nbsp; Sailors could register their opinions by using the Food Service Suggestion Box.&nbsp; Food Service staff implemented many of their fellow crew members&rsquo; suggestions and kept their fellow sailors informed of any improvements.&nbsp; Posted responses to the comments explained how Food Service was addressing a given suggestion, or why a particular idea wasn&rsquo;t possible.&nbsp; Check out this reply to a complaint that the mess served too much roast beef:<br />
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<a target="_blank" href="http://www.intrepidmuseum.org/Images/Curators-Corner/Image2Comment_lg.aspx"><img width="550" height="173" border="1" src="/getfile/8019df8c-00b4-4c74-bf56-4dab0c982b1c/image2comment.aspx" alt="" /></a><br />
</span>
<div style="text-align: center;">&nbsp;</div>
<div style="text-align: center;"><span style="color: rgb(128, 0, 0);"><b><span style="font-size: small;">Click image to enlarge</span></b></span></div>
<span style="font-size: small;"> <br />
These are just two examples of the many intriguing items that you can discover in our new exhibit.&nbsp; Ever wonder what was on the menu in the mess?&nbsp; Or what the mess deck looked like before and after the renovation?&nbsp; Want to see the results of a mess deck sanitation inspection?&nbsp; Visit Intrepid&rsquo;s mess deck and see for yourself!</span><br />
<br />
Jessica Williams<br />
Curator of History<br />
<br />
<br />
<img width="116" height="141" src="/getfile/56d5fdbd-3833-4267-bb13-daa426194182/NYSCA_logo.aspx" alt="" /><br />
<br />
<span style="font-size: small;">The mess deck interactive exhibit is made possible with public funds from the New York State Council on the Arts, a state agency.&nbsp; </span><br />
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     </description>
     <pubDate>Thu, 22 Jul 2010 14:13:15 GMT</pubDate>
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     <title><![CDATA[Torpedo Damage Report]]></title>
     <description><![CDATA[ <span style="font-size: small;">As we inventory our collection, we continue to unearth new treasures.&nbsp; One of our more recent finds is a copy of the War Damage Report from the crippling Japanese torpedo attack on February 17, 1944.&nbsp; Intrepid had been in combat for less than one month before the torpedo hit sent her home for major repairs.&nbsp; The damage report, prepared by the Hunter&rsquo;s Point Naval Drydock in San Francisco, provides detailed information about the attack, resulting damage, and subsequent repairs.&nbsp; Uncovering this report offers an opportunity to revisit this significant event, which gave the &ldquo;Fighting I&rdquo; her first battle scars.<br />
<br />
On the evening of February 16, 1944, Intrepid was steaming at 20 knots about 80&ndash;100 miles east of Truk, an important anchorage and air base for the Japanese fleet.&nbsp; Aircraft carriers were ordered to withhold fire to avoid detection in the moonless night.&nbsp; Around 2123 hours, the task group detected Japanese aircraft in the area.&nbsp; Just after midnight, one of these airplanes found a prime target: Intrepid, an Essex-class carrier new to the Pacific theater. <br />
<br />
At approximately 0011 hours on February 17, a Japanese air-launched torpedo estimated at 400 pounds ripped through the aft end of the ship.&nbsp; The low-flying plane probably spotted Intrepid&rsquo;s silhouette and wake, despite the extreme darkness.&nbsp; As the damage report described, &ldquo;The noise was something of the nature of a muffled roar.&nbsp; The explosion was &lsquo;felt&rsquo; rather than &lsquo;heard,&rsquo; giving the impression of a collision and a &lsquo;shaking&rsquo; effect something like that experienced in a heavy sea.&rdquo;<br />
<br />
The torpedo pierced the steel hull near the point where the rudder post entered the ship.&nbsp; The impact bent and jammed the rudder 10&ndash;15 degrees to port.&nbsp; Immediately, the ship lost all steering control and began steaming in a circle, as illustrated in the report (below).&nbsp; The ship&rsquo;s crew regained a steady course by varying the relative speeds of the propellers, setting the port side screws to full power and the starboard side to a slower speed.&nbsp; A jury-rigged canvas sail stretched across the fo&rsquo;c&rsquo;s&rsquo;le and airplanes positioned on the flight deck helped stabilize the ship on the windy seas, allowing Intrepid to stay on course.</span><br />
<br />
<img width="550" height="443" alt="" src="/getfile/d7fa1a9a-b206-4939-84c4-a437a7edd01a/image1_report.aspx" /><br />
<br />
<span style="font-size: small;">The damage extended well beyond the rudder.&nbsp; The explosion opened a 10 by 15-foot hole in the side of the ship, flooding numerous compartments.&nbsp; The ship&rsquo;s internal armor box&mdash;designed to protect critical spaces&mdash;largely withstood the impact, but the shock of the blast left some spaces in a &ldquo;shattered and deranged condition.&rdquo;&nbsp; The impact mangled equipment in the steering control room and the motor control room.&nbsp; A powerful surge of water tore gun tub no. 15 off the side of the ship.&nbsp; Located at the aft end of the flight deck, the gun tub was blown into the ocean, along with its guns and crew.&nbsp; All told, eleven men were killed in the attack, and seventeen were wounded.&nbsp; <br />
<br />
Intrepid limped to Pearl Harbor for repairs.&nbsp; The gaping hole in her hull was patched, as seen in the photo below, and a jury (temporary) rudder was installed.&nbsp; She continued to Hunter&rsquo;s Point for a full overhaul.&nbsp; Shipyard workers installed a new rudder, repaired the hull, and replaced damaged equipment.&nbsp; Intrepid&rsquo;s propellers and two shafts were sent to nearby Mare Island Naval Shipyard for inspection, but no damage was found.&nbsp; The lost gun tub had been attached to the ship by bolts.&nbsp; In dry dock, workers rebuilt the gun tub and replaced all remaining gun tub bolts with welds.&nbsp; On June 9, nearly four months after the torpedo hit, Intrepid left the West Coast for Pearl Harbor, ready to rejoin the fleet in the Pacific. <br />
</span><br />
<img width="550" height="443" alt="" src="/getfile/fbcd8381-5ac7-410c-a009-afb3075e6465/image2_photo.aspx" /><br />
<br />
<span style="font-size: small;">The war damage report acknowledged that Intrepid was lucky: &ldquo;Damage to the steering outfit of a warship in battle is, of course, a grave matter.&nbsp; The loss of steering control on the German battleship BISMARCK spelled the doom of this great vessel.&nbsp; The escape of the INTREPID under cover of darkness in no way mitigates the seriousness of the steering loss sustained.&rdquo;&nbsp; Intrepid and her crew would be tested&mdash;and wounded&mdash;in battle numerous times, and the workers at Hunter&rsquo;s Point would always meet the challenge of returning this great ship to fighting condition.</span><br />
<br />
Jessica Williams<br />
Curator of History<br />
<br />
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     </description>
     <pubDate>Mon, 21 Jun 2010 17:20:13 GMT</pubDate>
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     <title><![CDATA[Accessing the Archives]]></title>
     <description><![CDATA[ <table width="550" cellspacing="0" cellpadding="0" border="0">
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            <td><span style="font-size: small;">Earlier this year I wrote about the first inventory of our poster collection, which we recently discovered consists of nearly 200 World War I and II era recruiting and propaganda posters. As our processing methods became more efficient, we decided it was time to take a more in depth look at the state of our archives collection as a whole. Years ago, a former staff member had dutifully stored the collection in acid-free folders and placed them in archival document boxes to keep the pieces safe from potential damage. However, because few boxes were organized or labeled properly, we only had a rough idea of exactly what was inside nearly 100 linear feet of boxes. As a result, we settled into our next project, which is to inventory the archives collection with the goal of creating searchable finding aids. </span><br />
            <br />
            <img width="550" height="363" src="/getfile/d9e5f3ab-27a2-4a68-91e9-a7a2d77e2f91/archives.aspx" alt="" /><br />
            <br />
            <span style="font-size: small;">While engaging in this project for the past two months, we have also been correcting old repairs to paper documents that had been executed poorly. For instance, slapping a strip of scotch tape over a torn piece of paper is only a quick fix that eventually leads to discoloration of the adhesive and may cause the paper to become brittle over time. We also came across several documents secured with paperclips, which eventually rusted through the paper, leaving a brown stain in the shape of a paperclip. We noticed similar damage caused by documents that had been stapled together decades ago. In order to resolve these problems, we have been examining each item individually for sources of degradation. </span><br />
            <br />
            <img width="550" height="427" src="/getfile/6c0209a1-a4c0-4c5c-9532-e0c51519314c/paperclip.aspx" alt="" /></td>
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<br />
<span style="font-size: small;">Although this project may seem tedious and time consuming, we are enjoying learning more about the history of the ship every day and uncovering new stories about the men who served aboard her. Only a few weeks ago we came across a copy of the official &ldquo;Torpedo Damage Report,&rdquo; which documents the extent of the damage suffered by Intrepid when she was hit by a torpedo on February 17, 1944 at Truk. Included in the report is a drawing of the course Intrepid took when she was hit, as well as several photographs detailing the repair work completed at the USN dry docks at Hunters Point, San Francisco. On a more human side, we have a rather large collection of letters that were written to and by former crewmembers, ranging from World War II through the last Vietnam cruise. From these letters we are learning what sort of lives these men lived at sea, as well as how much their loved ones back home missed them and hoped for their safe return. <br />
<br />
The goal is to complete organizing the archives collection within the next year, and we have already begun to create finding aids which we hope will make our fascinating collection more accessible to curatorial staff. We believe this significant resource will provide us with more information about Intrepid&rsquo;s history that may have been overlooked in the past, and that could be shared with our visitors in the future. </span><br />
<br />
Britta K. Arendt<br />
Collections Manager<br />
<br type="_moz" /> ]]>
     </description>
     <pubDate>Mon, 26 Apr 2010 16:00:26 GMT</pubDate>
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     <title><![CDATA[Intrepid’s “Snipo” Cartoons ]]></title>
     <description><![CDATA[ <table width="550" cellspacing="0" cellpadding="0" border="0">
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            <td><span style="font-size: small;">Intrepid&rsquo;s history has thousands of stories to tell. Some have yet to be told, while others have recently been discovered by our staff. This month we highlight just one of the many stories we would like to share, particularly because it emphasizes a recent donation of art and artifacts to our permanent collections. <br />
            <br />
            Edward A. Ritter was a professional artist in New York who joined the Navy Air Corps to become a pilot soon after the outbreak of World War II. In August of 1944 he was assigned to Fighting Squadron 18 which was attached to Intrepid for several months. Between October and November, Ritter used his talent as an artist to boost the morale of his fellow pilots and crewmembers by creating a series of 26 humorous cartoons. These watercolor paintings depicted the shenanigans of fighter pilot, &ldquo;Snipo,&rdquo; a fictional character based on another member of VF-18, E. G. Blankenship, Lt (jg). Members of the squadron would eagerly wait for Ritter to finish his latest cartoon and post it on the ready room&rsquo;s bulletin board. Intrepid&rsquo;s photographer developed prints of the cartoons so they could be distributed amongst other crewmembers on the ship. As Ritter&rsquo;s cartoons gained more recognition, a journalist visiting Intrepid from the New York Times wrote a short article featuring some of his artwork.</span><br />
            <br />
            <img width="550" height="603" src="/getfile/7755ae55-e39a-4d08-8a43-fdc3ed1f809d/Nohands.aspx" alt="" /><br />
            <br />
            <span style="font-size: small;">Unfortunately, the original watercolors no longer exist, as all were destroyed during the November 1944 kamikaze attacks that plunged through Intrepid&rsquo;s flight deck and the ready room where they had been stored. However, shortly after Ritter returned to his home after the War, he received a package in the mail containing the original prints from the ship&rsquo;s photographer. We are grateful that these prints were saved and that his granddaughter recently donated them along with other examples of Ritter&rsquo;s work, so that future generations can enjoy the mischievous acts of &ldquo;Snipo&rdquo; and his comrades. </span><br />
            <br />
            <img width="550" height="431" src="/getfile/a41b66b2-c985-418a-b18a-364a9cc6046c/OurHero.aspx" alt="" /><br />
            <br />
            <span style="font-size: small;">For more information on the life of Edward A. Ritter, go to: </span><a href="http://edritteronline.com" target="_blank"><span style="font-size: small;">http://edritteronline.com</span></a><span style="font-size: small;">. <br />
            <br />
            Britta K. Arendt<br />
            Collections Manager </span><br />
            &nbsp;</td>
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     </description>
     <pubDate>Wed, 24 Mar 2010 12:25:27 GMT</pubDate>
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     <title><![CDATA[Intrepid in Vietnam]]></title>
     <description><![CDATA[ <span style="font-size: small;">One of the most exciting aspects of working at the Intrepid Museum is that there is no shortage of fascinating historical topics to explore. While organizing our research files, we recently uncovered a number of historic press releases highlighting the ship&rsquo;s role in Vietnam. This edition of the Curator&rsquo;s Corner offers a very brief introduction to Intrepid&rsquo;s first tour of duty in Southeast Asia.<br />
<br />
In 1961, Intrepid was converted from an attack carrier to an antisubmarine warfare (ASW) carrier, a common modification for the aging ships of the Essex class. Over the next few years, her deployments took her to Canada, the Caribbean, and the Mediterranean. At the end of 1965, Intrepid and her crew quietly began training for a new mission. The attack aircraft of Carrier Air Wing 10, including A-1 Skyraiders and A-4 Skyhawks, replaced the ship&rsquo;s former complement of ASW aircraft, suggesting that the ship would no longer be tracking Soviet submarines.<br />
<br />
Halfway around the world, the U.S. was closely monitoring the increasingly turbulent situation in Vietnam. Following two incidents between American and North Vietnamese ships in early August 1964, Congress passed the Tonkin Gulf Resolution, which authorized President Lyndon B. Johnson to use force against Communist North Vietnam. In early 1965, the U.S. commenced Operation Rolling Thunder, a sustained bombing campaign carried out in part by Navy aircraft carriers stationed off the Vietnamese coast. By December 1965, no fewer than 10 U.S. aircraft carriers had seen combat. However, Gen. William Westmoreland, commander of U.S. ground forces in Vietnam, sought additional air coverage. He requested an aircraft carrier dedicated to supporting combat operations in South Vietnam. <br />
<br />
On February 23, 1966, Secretary of Defense Robert McNamara publicly announced that Intrepid would help fulfill Westmoreland&rsquo;s request:<br />
<br />
</span>
<div style="margin-left: 40px;"><span style="font-size: small;"> In order to maintain the attack carrier force off Vietnam, we are, as I noted, deploying one of the Atlantic-based carriers, the Intrepid, to Southeast Asia. Very minor modifications were required on this vessel to permit it to operate light attack aircraft and it can be quickly reassigned to its antisubmarine role. <br />
</span></div>
<span style="font-size: small;"> <br />
On April 4, less than six weeks after McNamara&rsquo;s announcement, Intrepid left Norfolk for her first deployment to Asia since World War II. On May 15, Intrepid launched her first combat missions in more than two decades. For the &ldquo;Fighting I,&rdquo; combat in Vietnam bore little resemblance to the Pacific battles fought two decades earlier. During World War II, Intrepid came under heavy fire as Japanese aircraft, ships, and kamikazes relentlessly attacked the ship. During Vietnam, Intrepid herself remained out of harm&rsquo;s way, stationed miles off the coast. However, her aviators faced constant danger as they flew over hostile targets. In the stifling heat, Intrepid crew members worked at a frantic pace to support near-constant launchings and landings, as well as a steady schedule of underway replenishments and refuelings.</span><br />
<br />
<img width="550" height="400" src="/getfile/5ce1c2ea-84f1-43de-a64a-000e829c4ceb/Vietnam.aspx" alt="" /><br />
<br />
<span style="font-size: small;">By the conclusion of her first Vietnam deployment, Intrepid aviators had flown 7,353 attack sorties and dropped 9,239 tons of ordnance on targets in North and South Vietnam. Air Wing 10&rsquo;s victories included 423 barges sunk and 555 others damaged, 70 trucks destroyed and 50 others damaged, and 266 railroad cars destroyed or damaged. Flying a propeller-driven A-1H Skyraider, Intrepid pilot Lt (jg) William T. Patton shot down a North Vietnamese MiG-17. Intrepid lost one pilot in action during her first Vietnam tour. Lt. Charles Knochel&rsquo;s Skyraider was shot down following an armed reconnaissance mission. Several other crew members were lost in accidents.<br />
<br />
On November 23, 1966, Intrepid pulled into port at Norfolk. Her crew celebrated the ship&rsquo;s return, grateful to be home for the holidays. However, the respite was short lived. On May 11, 1967, Intrepid again headed east for the second of what would become three tours of duty in Vietnam.<br />
<br />
Jessica Williams<br />
Curator of History</span><br type="_moz" /> ]]>
     </description>
     <pubDate>Fri, 19 Feb 2010 16:58:10 GMT</pubDate>
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     <title><![CDATA[Rediscovering Hidden Treasures ]]></title>
     <description><![CDATA[ <span style="font-size: small;">Like most museums, the Intrepid Sea, Air &amp; Space Museum has thousands of artifacts but only the capacity to display a small percentage at a time. As a result, the Exhibits Department is constantly generating new ideas for future exhibitions as a way to bring new audiences to the Museum and encourage old visitors to return. Once in a while we rediscover collections of artifacts that have not been on public view for many years or that have never been displayed at all. During a recent inventory, we came across a large collection of original World War I and II era posters used for propaganda and military recruiting purposes. We believe these historically significant pieces could be the focus of future curatorial research or exhibition. <br />
<br />
<img width="550" height="553" alt="" src="/getfile/13a87282-4bbe-414e-a698-8944534a0e6f/data_entry.aspx" /><br />
<br />
<img width="550" height="553" alt="" src="/getfile/8a6539f4-51e3-4369-ae2d-dfa003c2304a/measuring_poster.aspx" /> <br />
<br />
While many of the posters appear to have been displayed in the Museum&rsquo;s past, we do not have a precise inventory of the collection. Exhibits staff and volunteers are currently working to photograph, measure, describe and research each poster individually. Documentation is the primary key to understanding museum collections. We hope to learn the significance of various poster designs and artists as we attempt to get a firm grasp on the extent of this collection. Above and below are some images of our staff cataloging the pieces, so you can appreciate the amount of work necessary to accomplish such tasks. <br />
<br />
<img width="550" height="553" alt="" src="/getfile/aa22c3c9-5bdd-40fb-b826-8b6eba49f955/SB_poster.aspx" /><br />
<br />
Since the pieces are so large (many of them exceeding 60 inches in length), our plan is to provide them with proper archival flat-file storage so they can be preserved for future generations. If we decide to display some of the posters, relevant themes that explore the content and context of the pieces need to be developed. So far, we are discovering that the collection of over 100 pieces is very broad in scope &ndash; ranging from WWI-era recruiting posters designed by famous artists, such as Howard Chandler Christy, to WWII-era German propaganda posters. As this exciting project moves forward, we hope to learn more about the history and significance of these posters, ultimately sharing what we learn with our visitors. <br />
<br />
Britta K. Arendt<br />
Collections Manager <br />
</span> ]]>
     </description>
     <pubDate>Tue, 26 Jan 2010 11:03:31 GMT</pubDate>
     <link><![CDATA[http://intrepidmuseum.org/CuratorsCorner/January-2010-(1)/Rediscovering-Hidden-Treasures.aspx]]></link>     
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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/December-2009-(1)/Snoopy-and-Intrepid.aspx]]></guid>
     <title><![CDATA[Snoopy and Intrepid]]></title>
     <description><![CDATA[ <span style="font-size: small;">The Intrepid Museum&rsquo;s temporary exhibition gallery has been transformed into a whimsical doghouse for our new exhibition &ldquo;Snoopy as the World War I Flying Ace.&rdquo;&nbsp; This traveling exhibition includes 29 high-resolution iris prints of Schulz&rsquo;s original comic strips.&nbsp; Also on display are examples of Peanuts characters painted by Intrepid crew members when the ship was in commission.&nbsp; The exhibit highlights Snoopy as a pop culture icon whose active imagination entertained and inspired crew members aboard the Intrepid. </span><br />
<br />
<img width="550" height="391" src="/getfile/8d658fdf-f900-49ba-9d64-9378799351b2/snoopy2.aspx" alt="" /><br />
<br />
<span style="font-size: small;">In describing the Peanuts characters, Schulz said, &ldquo;Charlie Brown is the way I am, and Snoopy is the way I wish I could be.&rdquo;&nbsp; While Charlie Brown is consumed by worry and never seems to catch a break, Snoopy has an active imagination that allows him to escape his mundane existence, if only in his dreams.&nbsp; Over the strip&rsquo;s 50-year history, Snoopy adopted approximately 150 distinct personas.&nbsp; Perhaps his most beloved alter ego was the World War I Flying Ace, who debuted in 1965 and starred in over 400 Peanuts strips.&nbsp; Dashing, charming, gallant, and brave - the Flying Ace never shot down his nemesis, the Red Baron, but he won the hearts of Peanuts fans.<br />
<br />
What makes Snoopy&rsquo;s fantasy life so engaging is Charles Schulz&rsquo;s careful attention to historical accuracy.&nbsp; Snoopy does not merely imagine himself to be a pilot; he is a famous World War I Flying Ace who uses period phrases such as &ldquo;Flying Circus,&rdquo; flies a World War I-era fighter plane, and wears appropriate aviator gear for the time period.&nbsp; Schulz&rsquo;s commitment to precision can be seen in myriad details from the Flying Ace&rsquo;s lack of a parachute to his desperate dash across &ldquo;No-Man&rsquo;s Land.&rdquo;&nbsp; Although Schulz&rsquo;s drawing style was relatively simple, he created a captivating fantasy world rich in historical detail.&nbsp; <br />
<br />
In addition to appearing in newspapers worldwide, Snoopy and the rest of the Peanuts gang were a colorful presence aboard the Intrepid.&nbsp; Crew members personalized their living and working spaces by painting cartoons and other artworks directly on the ship&rsquo;s steel walls.&nbsp; This &ldquo;sailor art&rdquo; often depicted popular comic strip characters in scenes that reflected shipboard life.&nbsp; For Intrepid sailors, Charlie Brown and Snoopy offered a connection to home.&nbsp; Just as Snoopy adopted his Flying Ace persona to escape the indignities of his dog&rsquo;s life, sailors aboard Intrepid turned to cartoons like Peanuts for a brief respite from their dangerous jobs aboard an aircraft carrier at sea. <br />
<br />
While some sailor art paintings are quick doodles, others exhibit an attention to detail that Schulz might have appreciated.&nbsp; Intrepid crew members transformed Snoopy into one of their own, a sailor immersed in the day-to-day routines of life at sea.&nbsp; One example of sailor art, which was painted on an office door, depicts Snoopy wearing the classic white &ldquo;Dixie cup&rdquo; sailor hat, a staple of the U.S. Navy uniform since the late 19th century.&nbsp; Another painting captures a joyfully dancing Snoopy under the caption &ldquo;Happiness is PMS.&rdquo;&nbsp; You&rsquo;ll have to visit our exhibition to find out what PMS meant to a sailor aboard Intrepid! </span><br />
<br />
<img width="550" height="459" src="/getfile/00a2a974-f4f5-4d03-b1b5-c5c3441bb69a/snoopy1.aspx" alt="" /><br />
<br />
<span style="font-size: small;">Check out &ldquo;Snoopy as the World War I Flying Ace&rdquo; on view at the Intrepid Museum from now until April 30, 2010. <br />
<br />
Jessica Williams<br />
Curator of History<br />
</span><br />
<br />
&ldquo;Snoopy as the World War I Flying Ace&rdquo; is a Program of ExhibitsUSA, a national division of Mid-America Arts Alliance and The National Endowment for the Arts<br type="_moz" /> ]]>
     </description>
     <pubDate>Wed, 23 Dec 2009 10:15:12 GMT</pubDate>
     <link><![CDATA[http://intrepidmuseum.org/CuratorsCorner/December-2009-(1)/Snoopy-and-Intrepid.aspx]]></link>     
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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/November-2009-(1)/Thanksgiving-aboard-Intrepid.aspx]]></guid>
     <title><![CDATA[Thanksgiving aboard Intrepid]]></title>
     <description><![CDATA[ <span style="font-size: small;">On November 23, 1944, Intrepid crew member Jacob J. Elefant wrote in his diary, &ldquo;Celebrated Thanksgiving today and boy what a feast.&nbsp; Had holiday routine all day with movies in the afternoon and evening.&rdquo;&nbsp; <br />
<br />
Thanksgiving dinner would have been an especially welcome respite for the crew of the Intrepid in 1944.&nbsp; The previous month, the Intrepid saw action in the Battle of Leyte Gulf, generally considered to be the largest naval battle of all time. Three days after the battle, the Intrepid suffered her first kamikaze attack, which killed ten men and badly burned others.&nbsp; Intrepid crew members then waited for over a week to return to the naval base at Ulithi for supplies &ndash; food, armaments and, perhaps most important to Elefant and his shipmates, mail.&nbsp; Intrepid aviators soon resumed launching strikes against Japanese positions.&nbsp; By the end of November, crew members were more than ready for a holiday celebration.&nbsp;&nbsp; <br />
<br />
With 3,000 homesick men to feed, the Intrepid&rsquo;s cooks took particular care to create festive holiday meals that included traditional favorite dishes, offering crew members a taste of home.&nbsp; In celebration of Thanksgiving, the Curator&rsquo;s Corner presents a selection of Intrepid Thanksgiving menus from throughout the ship&rsquo;s history.</span><br />
<br />
<a href="http://www.intrepidmuseum.org/Images/Curators-Corner/thanksgiving_menu1_lrge.aspx" target="_blank"><img width="550" height="363" src="/getfile/0b30c4a1-7443-42c6-ab7b-5f5401a542fd/thanksgiving_menu1.aspx" alt="" /></a><br />
<br />
<span style="font-size: small;">Just two days after Thanksgiving 1944, two kamikaze airplanes crashed through the Intrepid&rsquo;s wooden flight deck within in five minutes of one another.&nbsp; The attacks killed 69 men and significantly damaged the Intrepid, sending her back to California for repairs.</span><br />
<br />
<a href="http://www.intrepidmuseum.org/Images/Curators-Corner/thanksgiving_menu2_lrge.aspx" target="_blank"><img width="550" height="363" src="/getfile/7590627d-0b0d-4262-b90f-3984378a4d16/thanksgiving_menu2.aspx" alt="" /></a><br />
<br />
<span style="font-size: small;">In 1954, the Intrepid was re-commissioned after a two-year modernization overhaul.&nbsp; In the month before Thanksgiving, the Intrepid crew members tested the ship&rsquo;s newly installed steam catapults.</span><br />
<br />
<a href="http://www.intrepidmuseum.org/Images/Curators-Corner/thanksgiving_menu3_lrge.aspx" target="_blank"><img width="550" height="363" src="/getfile/77361c55-1546-4dd5-9486-7ba639cd4b8b/thanksgiving_menu3.aspx" alt="" /></a><br />
<br />
<span style="font-size: small;">The Intrepid was in the middle of her third Vietnam deployment in November 1968.&nbsp; The ship was in port in the Philippines during Thanksgiving.<br />
<br />
Best wishes for a happy and healthy Thanksgiving.<br />
<br />
Jessica Williams<br />
Curator of History</span><br />
<br /> ]]>
     </description>
     <pubDate>Wed, 25 Nov 2009 10:03:48 GMT</pubDate>
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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/October-2009-(1)/The-Colors-of-the-Flight-Deck.aspx]]></guid>
     <title><![CDATA[The Colors of the Flight Deck]]></title>
     <description><![CDATA[ <span style="font-size: small;">During flight operations, the flight deck of the aircraft carrier comes to life, and the crewmen responsible for these operations are well aware of the dangers involved. Early on, the US Navy recognized these dangers and established a color-coded uniform system that would differentiate the various responsibilities of flight crewmen. Anyone not wearing the designated colors would not be permitted on the flight deck. The uniform regulations also assure better communication between crewmen as various activities are executed. </span><br />
<br />
<img width="550" height="363" src="/getfile/e880b969-80bf-4b2d-9b62-1209c8cb8f76/yellowshirts.aspx" alt="" /><br />
<br />
<span style="font-size: small;">Aircraft handling officers, catapult officers, and plane directors wear yellow jerseys over their clothing to designate their responsibilities. Above is an image of two plane directors standing by as a Skyhawk is about to be launched on the Intrepid&rsquo;s flight deck in the 1960s. Crewmembers wearing blue jerseys work primarily with the yellow jerseys, operating tractors, forklifts, and aircraft elevators, as well as securing and chaining planes to the deck. The catapult and arresting gear crew wear green jerseys. Pictured below are three Intrepid crewmen during the 1971 Eastlant cruise wearing the green jerseys and helmets. </span><br />
<br />
<img width="550" height="363" src="/getfile/81186c57-9dc1-42f2-8bca-22da78c42082/greenshirts.aspx" alt="" /><br />
<br />
<span style="font-size: small;">Plane captains, who maneuver the planes as needed and assure that all maintenance work is performed prior to launching, wear brown jerseys. &ldquo;Grapes&rdquo; are known for their purple jerseys, and they are responsible for fueling the planes. Ordnance, crash, and salvage crews are designated by their bright red jerseys. Finally, white jerseys are worn by the landing signal officers (LSO), but also a variety of others who are on stand-by and available when needed by the flight deck crews. These include safety and medical personnel as well as the squadron plane inspectors. <br />
<br />
As flight operations have evolved over the decades, new positions have been added to the regulations, but the basics of the color-coded uniform system remains unchanged as it has proven to be successful. For more information on this topic, check out &ldquo;Color-Coded Sailors: On the Flight Deck, Your Shirt Says It All&rdquo; at <br />
<a href="http://www.history.navy.mil/library/online/uniform_misc.htm " target="_blank">http://www.history.navy.mil/library/online/uniform_misc.htm </a><br />
<br />
Britta K. Arendt<br />
Collections Manager </span><br />
<br type="_moz" /> ]]>
     </description>
     <pubDate>Mon, 26 Oct 2009 10:53:17 GMT</pubDate>
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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/September-2009-(1)/“Sense-Pamphlets”-for-Navy-Aviators.aspx]]></guid>
     <title><![CDATA[“Sense Pamphlets” for Navy Aviators]]></title>
     <description><![CDATA[ <table width="550" cellspacing="0" cellpadding="0" border="0">
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            <td><span style="font-size: small;"><b>This month the Curator&rsquo;s Corner would like to introduce an article written by one of our volunteers, Andrea Walton. She has spent the past few months assisting us with organizing our archive collection, so we thought it would be appropriate for her to share with you some of the items she&rsquo;s discovered during this process. </b><br />
            <br />
            <br />
            <b><u>&ldquo;Sense Pamphlets&rdquo; for Navy Aviators</u></b><br />
            <br />
            Of the many treasures in the archives of the Intrepid, I was delighted to come across three pamphlets produced during World War II (published in March, April and May of 1944) in the &ldquo;Sense&rdquo; series illustrated by graphic artist, satirist, and author Robert Osborn (1904-1994). These appropriately named instructional pamphlets provided common sense safety rules on naval aviation topics. Published by the Aviation Training Division, Office of the Chief of Naval Operations, each pamphlet&rsquo;s topic was captured by Osborn on the front and back covers with delightful illustrations accompanying the essays. The drawings are rendered in the rapid and fluid easy line of a cartoonist/satirist sensibility which invites the reader to open the pamphlets.<br />
            &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br />
            <b>Shark Sense - Private life of a coward (March 1944)</b><br />
            <br />
            The front cover depicts a pilot&rsquo;s greatest fear when forced down in tropical waters &ndash; coming in contact with sharks. But the more he knows the less there is to fear.&nbsp; A wild-eyed pilot, mouth agape, tongue hanging out is shown barely keeping his head (and rear end) above water. In the cartoon balloon of his imagination we find a ferocious shark with teeth bared (mirroring the pilots own gaping mouth). But just what is triggering his imagination?&nbsp; A small goldfish, unseen by our hero, is nibbling his toe! On the back cover a man holds a fearsome shark balloon and through the use of continuous narration, the balloon of his fears has now burst after reading this pamphlet.&nbsp; As the final page of advice tells the reader, you cannot win in a biting match, but you can win in a thinking match. </span><br />
            <br />
            <img width="550" height="348" alt="" src="/getfile/b20132af-3785-4bc7-9a82-32b00210a2de/sharksense_img.aspx" /><br />
            <br />
            &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br />
            <span style="font-size: small;"><b>Manners Sense &ndash; Gentlemen, be seated (April 1944)</b><br />
            <br />
            The naval officer on the cover embodies all the attributes associated with a lack of manners coupled with arrogance: hands thrust in his pockets, nose literally in the air, eye closed, dangling a cigarette from his lip and cap seemingly thrust back on his head. He is obliviously stepping on the toes of both a smaller civilian gazing up at him and an officer who is &ldquo;flipping his lid&rdquo; in the air in frustration. Set against a blue background, the front and back covers suggest two contemporary connotations of the word &ldquo;skylark&rdquo;: the naval term for goof off (on the front) and the popular romantic song, &ldquo;Skylark,&rdquo; written in 1942 by Johnny Mercer and Hoagy Carmichael (on the back).&nbsp; The back cover reveals the same blue sky against which now we see the naval officer escorting and gazing into the eyes of a feminized plane. After reading the pamphlet, the officer is &ldquo;on board&rdquo; with his manners - water is lapping next to the couple. Now an officer and a gentleman, in the words of the accompanying text, &ldquo;he&rsquo;s even considerate of his plane!&rdquo;<br />
            </span><br />
            <img width="550" height="348" alt="" src="/getfile/0202c931-7226-4426-9df0-938e66f08a78/manners_img.aspx" /><br />
            <br />
            <span style="font-size: small;"><b>Security Sense &ndash; Zip that lip, brother! (May 1944)</b><br />
            <br />
            The covers are wonderful illustrations of contemporary jargon: &ldquo;the walls have ears&rdquo; and &ldquo;singing like a canary&rdquo; on the front and &ldquo;zip your lip&rdquo; on the back. Disembodied, multi-eared smiling heads with beady eyes wide open surround a little sailor shown on his toes in profile with his arms stretched out and up, head thrust enthusiastically back in song. Note that his profile is enhanced by feathers and both he and the heads are conspicuously yellow, a color also associated with cowards. The &ldquo;yellow&rdquo; theme is continued on the back where a pilot determinedly stands with his arms folded against a yellow background. He has exaggeratedly large lips literally shut closed with a zipper, something he is reminded to do after reading this pamphlet.</span><br />
            <br />
            <img width="550" height="348" alt="" src="/getfile/f9413d92-b47a-43b7-9c05-523f317f0e0a/securitysense_img.aspx" /><br />
            <br />
            <span style="font-size: small;">Reading the advice and recommendations written in the language and tone of the everyman, it is striking how what was considered common sense in 1944 continues to be the right thing to do in 2009. You may want to check out Support Aircraft Sense currently on exhibit in the Intrepid Museum&rsquo;s hangar deck exhibition.<br />
            <br />
            For more information about Robert Osborn and his career both inside and outside the Navy go to the following:<br />
            </span><a href="http://www.history.navy.mil/nan/gramps/Gramps intro, features  and pix/Osborn farewell.pdf" target="_blank"><span style="font-size: small;"><span style="color: rgb(128, 0, 0);">http://www.history.navy.mil/nan/gramps/Gramp</span></span></a><span style="font-size: small;"><br />
            </span><a href="http://www.history.navy.mil/nan/gramps/grampshome.htm" target="_blank"><span style="font-size: small;"><span style="color: rgb(128, 0, 0);">http://www.history.navy.mil/nan/gramps/grampshome.htm. </span></span></a><br />
            <br />
            <br />
            <br />
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     </description>
     <pubDate>Wed, 23 Sep 2009 09:53:42 GMT</pubDate>
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     <guid isPermaLink="true"><![CDATA[http://intrepidmuseum.org/CuratorsCorner/August-2009-(1)/Intrepid’s-66th-Anniversary.aspx]]></guid>
     <title><![CDATA[Intrepid’s 66th Anniversary]]></title>
     <description><![CDATA[ <span style="font-size: small;">This month, we celebrate the 66th Anniversary of the Intrepid&rsquo;s commissioning.&nbsp; On August 16, 1943, the USS Intrepid (CV-11) officially entered active service with the United States Navy in a ceremony at Newport News Shipbuilding &amp; Drydock Company.<br />
<br />
At the commissioning ceremony, Capt. Thomas L. Sprague accepted command of the Intrepid.&nbsp; Capt. Sprague was part of a pioneering generation of naval aviators who flew from the Navy&rsquo;s first aircraft carriers.&nbsp; He graduated from the U.S. Naval Academy in 1917 and earned his wings in 1921.&nbsp; In 1926, Sprague was deployed aboard the U.S. Navy&rsquo;s first &ndash; and, at the time, only &ndash; aircraft carrier, the USS Langley (CV-1).&nbsp; Over the years, he served aboard a number of other early aircraft carriers including the USS Saratoga (CV-3) and the USS Ranger (CV-4).&nbsp; In 1942, he became the first commanding officer of the escort carrier USS Charger (AVG-30).&nbsp; In recognition of his experience and knowledge, Sprague became the first commanding officer to take the helm of the Intrepid.<br />
<br />
Sprague understood that commissioning the Intrepid was not simply about the ship herself, but about the men who would take her into combat. Addressing the Intrepid &lsquo;s first crew, Sprague said, &ldquo;Entrusted to us today is a fine ship.&nbsp; She has been honestly and skillfully built.&nbsp; It is now up to us.&nbsp; There is much work ahead and there are many problems to solve before Intrepid will be ready.&nbsp; With your cooperation, loyalty, and attention to duty, we will get on with that job.&rdquo;&nbsp; Standing aboard the Intrepid that day, the ship&rsquo;s first crew might not have imagined the dangers that awaited them in the Pacific, or the fierce battles that they and their ship would endure.&nbsp; </span><br />
<br />
<img width="550" height="500" alt="" src="/getfile/c5dca806-f36e-4491-a7b6-3bbf9e40c113/1943_commisioning.aspx" /><br />
<br />
<span style="font-size: small;">The Intrepid&rsquo;s commissioning crew more than lived up to Sprague&rsquo;s expectations.&nbsp; As he turned over command of the ship to Cdr. Richard K. Gaines in March 1944, Sprague stated, &ldquo;On August 16th, last year, we were gathered here to place this ship in commission.&nbsp; It was my hope that we would develop into an organization worthy of such a fine ship and worthy of the name Intrepid.&nbsp; In the seven months that have elapsed since that day, you have been halfway around the world and have proven yourselves.&nbsp; You have been commended repeatedly for your performance of duty and your conduct during and after action.&rdquo;&nbsp; Reflecting on the skill and bravery of the ship&rsquo;s men, Sprague continued, &ldquo;It is all very well when I have stood on the bridge and congratulated myself on commanding such a fine ship.&nbsp; But I am not deceived.&nbsp; It is the members of the crew below decks who are responsible for the fine record that has been made.&rdquo;<br />
<br />
In commemoration of the 66th anniversary of the Intrepid&rsquo;s commissioning, we celebrate not only the Intrepid herself but the 50,000 crew members who served aboard her over her three-decade Navy career. <br />
<br />
<b>Jessica Williams<br />
Curator of History</b><br />
</span><br type="_moz" /> ]]>
     </description>
     <pubDate>Fri, 14 Aug 2009 11:35:51 GMT</pubDate>
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     <title><![CDATA[The Space Race]]></title>
     <description><![CDATA[ <span style="font-size: small;">This month we celebrate the 40th anniversary of Apollo 11 and man&rsquo;s first step on the Moon. However, many of us tend to overlook the small steps that were necessary to reach this goal. With the successful launch of Sputnik by the Soviet Union in 1957, the United States entered the space race with the development of the National Aeronautics and Space Administration (NASA). Early on, aeronautical engineers designed capsules that would land in the ocean, enabling Essex-class aircraft carriers, like the USS Intrepid, to act as primary recovery vessels for NASA as late as the 1970s. <br />
<br />
NASA&rsquo;s first human space flight program, known as Mercury, sought to send one-man crews into orbit between 1961 and 1963. Mercury&rsquo;s second manned orbital flight was launched on May 24, 1962. The Aurora 7 spacecraft, commanded by astronaut Scott Carpenter, was in flight for only four hours but helped to qualify the program for further manned operations in extended orbital durations. The USS Intrepid participated in the Aurora 7 mission by dispatching helicopters to airlift Carpenter from his capsule. Below is a photograph of him aboard the Intrepid after his retrieval. </span><br />
<br />
<div style="text-align: center;"><img width="400" height="600" alt="" src="/getfile/48966030-e947-4d3d-b1a5-d4a70f0facb4/carpenter.aspx" /></div>
<br />
<span style="font-size: small;">Three years later, on March 23, 1965, the Intrepid was called once again to participate in yet another mission to space. More advanced than the Mercury operations, the Gemini program was designed to develop techniques essential for Moon landings, such as docking with another vehicle, performing extra-vehicular activity (spacewalks) and subjecting astronauts and their equipment to long flights. As pictured below, the Intrepid recovered the two-man Gemini III capsule, the first manned flight of the Gemini program, crewed by Virgil Grissom and John Young. Known as the &ldquo;bridge to the moon,&rdquo; the Gemini program paved the pathway for the later Apollo program. </span><br />
<br />
<div style="text-align: center;"><img width="400" height="600" src="/getfile/f855ae83-2c9b-436a-9544-66a0ca686f7c/gemini.aspx" alt="" /></div>
<br />
<span style="font-size: small;">Without the demonstrated successes of eight years of NASA&rsquo;s space programs, the Apollo 11 landing would not have been so momentous in 1969. How these past initiatives will help propel the future of space missions, we have yet to see. <br />
<br />
Historic photographs courtesy of NASA. To learn more about the Mercury and Gemini programs, as well as other past NASA missions, visit: <br />
</span><a href="http://www.nasa.gov/missions/past/index.html" target="_blank"><span style="font-size: small;"><span style="color: rgb(128, 0, 0);">http://www.nasa.gov/missions/past/index.html</span></span></a><span style="font-size: small;">. <br />
<br />
Britta K. Arendt<br />
Collections Manager <br />
</span><br type="_moz" /> ]]>
     </description>
     <pubDate>Mon, 20 Jul 2009 16:26:46 GMT</pubDate>
     <link><![CDATA[http://intrepidmuseum.org/CuratorsCorner/July-2009-(1)/The-Space-Race.aspx]]></link>     
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